LANDSCAPES are all about place: the mood, the exaltation, the surprise, the ominousness, the fearful beauty, the irony, the mystery. We photographers were there: we saw them, we felt them, we captured them, and then we edited them to render the feeling all the more poignant. We project into them; we escape into them, and we offer them to viewers to do the same. Almost all include an element of sky, which serves to guarantee their earthly reality. Some assume metaphorical overtones—those in caves are especially given to this, since without sky or horizon they are totalizing environments, where mood is not dependent on the changing light of day.