Anti-War/Pro-War  
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New Body Projections & Nudes  
Virtual Hyper-Garments  
Form in Nature  
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GEO LOGOS: Le Cote Nord of the St. Lawrence, Quebec  
GEO LOGOS-More Images from the Book  
FERRO LOGOS - The Geology of Human Detritus  
Iceland, November, 2010  
Mono Lake and the Eastern Sierras  
Arches National Park  
Apostles of Justice  
The Mermaids of Coney Island, 2009, 2010  
Mermaid Parade, 2011  
Magic in Nature  
Nude in Nature  
Spirit of Empire: Post-Apocalypse  
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Joel Simpson  Digital photography
Washington Takeover, 1
2011
Digital photography
20x30
An older version of the Spirit of Empire has come to dominate Washington, D.C., accompanied by her raven.
Joel Simpson  Digital photography
Washington Takeover, 2
2011
Digital photography
20x30
An older version of the Spirit of Empire has come to dominate Washington, D.C.
Joel Simpson  Digital photography
Washington Takeover, 3
2011
Digital photography
20x30 and smaller
An older version of the Spirit of Empire has come to dominate Washington, D.C.
Joel Simpson  Digital photography
Spirit of Empire, 1
2011
Digital photography
20x30
Paying homage to Max Ernst's surreal depiction of war-torn Europe, "Europe After the Rain, II," (1940–42), as well as his monstrous "Fireside Angel," this image uses the surreal tufa towers of Mono Lake to provide the setting for the mythical figure of voracious Empire.
Joel Simpson  Digital photography
Spirit of Empire (cornered), 2
2011
Digital photography
20x30
Paying homage to Max Ernst's surreal depiction of war-torn Europe, "Europe After the Rain, II," (1940–42), as well as his monstrous "Fireside Angel," this image uses the surreal tufa towers of Mono Lake to provide the setting for the mythical figure of voracious Empire.
Joel Simpson  Digital photography
Spirit of Empire, 3
2011
Digital photography
20x30 and smaller
Paying homage to Max Ernst's surreal depiction of war-torn Europe, "Europe After the Rain, II," (1940–42), as well as his monstrous "Fireside Angel," this image uses the surreal tufa towers of Mono Lake to provide the setting for the mythical figure of voracious Empire.
Joel Simpson  Digital photography
Spirit of Empire, 4
2011
Digital photography
20x30 and mailer
Paying homage to Max Ernst's surreal depiction of war-torn Europe, "Europe After the Rain, II," (1940–42), as well as his monstrous "Fireside Angel," this image uses the surreal tufa towers of Mono Lake to provide the setting for the mythical figure of voracious Empire.
Joel Simpson  Digital photography
Spirit of Empire, 5
2011
Digital photography
20x30 and smaller
Paying homage to Max Ernst's surreal depiction of war-torn Europe, "Europe After the Rain, II," (1940–42) this image uses the surreal tufa towers of Mono Lake to provide the setting for the mythical figure of voracious Empire.
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